KIG / ENTERTAINMENT INSURANCE / FEATURE FILM
SPECIALTY BROKER NATIONAL COVERAGE SAME-DAY COIs
THE KIG FILM PRODUCTION HUB

FEATURE FILM INSURANCE
BUILT FOR EVERY BUDGET, GENRE, AND RISK

Specialty coverage for productions of every size — from $50K micro-budget indies to $20M studio features. Production package policies, E&O, workers comp, equipment, drone, stunts, pyrotechnics, and same-day certificates placed through carriers that actually want film business.

PRODUCTIONS WE PLACE
  • INDEPENDENT & STUDIO FEATURES
  • SAG ULTRA LOW, MOD LOW, LOW BUDGET
  • DOCUMENTARY & DOC SERIES
  • STUNTS, PYRO, WEAPONS, AERIAL
  • STREAMING-DELIVERY READY
  • SAME-DAY CERTIFICATES OF INSURANCE
  • HARD-TO-PLACE & DECLINED RISKS
  • UNION & SIGNATORY-READY COVERAGE
★ FEATURE FILMS★ DOCUMENTARIES★ SHORT FILMS★ INDIE PRODUCTIONS★ STUDIO FEATURES★ SAG SIGNATORY★ STUNTS & PYRO★ DRONE & AERIAL★ E&O FOR DISTRIBUTION★ DICE POLICIES★ WORKERS COMP★ EQUIPMENT FLOATERS★ FEATURE FILMS★ DOCUMENTARIES★ SHORT FILMS★ INDIE PRODUCTIONS★ STUDIO FEATURES★ SAG SIGNATORY★ STUNTS & PYRO★ DRONE & AERIAL★ E&O FOR DISTRIBUTION★ DICE POLICIES★ WORKERS COMP★ EQUIPMENT FLOATERS
THE PRODUCTION INSURANCE PROBLEM

FILM INSURANCE THAT ACTUALLY UNDERSTANDS THE WORK

Generalist agencies don’t write feature films. They write event policies and call them “production coverage.” We work the specialty markets that underwrite real motion picture exposures every day.

A feature film is not a special event with a camera. It’s a multi-week operation involving cast under contract, third-party locations, rented six-figure equipment packages, hired crew, vehicles, drones, stunts, weapons, post-production deliverables, and distribution chain-of-title exposures. Each of those is a separate insurance line.

We place coordinated entertainment production insurance programs for productions that don’t fit the off-the-shelf templates. That includes first-time producers, micro-budget indies, productions with declined risks, foreign locations, complex stunt sequences, and high-value equipment packages.

Whether you need a project-specific feature film policy, an annual DICE producer policy, distribution-required film E&O coverage, or a same-day certificate for a permit deadline tomorrow — we structure the program around the production, not the other way around.

FEATURE FILM INSURANCE FOR PRODUCTIONS
PRODUCTION COVERAGE • EVERY BUDGET TIER
THE COVERAGE ARCHITECTURE

EVERY POLICY LINE A FEATURE FILM ACTUALLY NEEDS

A complete feature film insurance program is a coordinated stack of nine to twelve coverage components. Below is the full architecture — each line can be included, scaled, or removed based on the production.

01 / FOUNDATION

PRODUCTION PACKAGE

The core motion picture package — general liability, third-party property damage, cast, equipment, props, sets, wardrobe, extra expense, and negative/media in one coordinated policy.

COREPROJECT-SPECIFIC
02 / FOUNDATION

GENERAL LIABILITY

Third-party bodily injury and property damage at every shoot location. The line that satisfies permits, locations, and additional insured requirements.

REQUIREDPERMIT-DRIVEN
03 / DISTRIBUTION

ERRORS & OMISSIONS

Distribution-grade E&O for copyright, trademark, defamation, privacy, title, and clearance claims. Required by streamers, broadcasters, and theatrical distributors.

DELIVERYNETFLIX-READY
04 / EQUIPMENT

RENTED & OWNED EQUIPMENT

Cameras, lenses, lighting, grip, audio, and Steadicam — covered while in your care, custody, and control. Required by every rental house.

RENTAL HOUSECCC
05 / CAST

CAST INSURANCE

Extra expense if a covered cast member can’t perform due to illness, injury, or death. Often required by financiers, completion bond providers, and SAG signatories.

FINANCIERBOND
06 / CREW

WORKERS COMPENSATION

Statutory coverage for cast and crew injuries. Required by SAG-AFTRA agreements, state law, and most location and equipment contracts.

STATUTORYSAG-AFTRA
07 / VEHICLES

HIRED & NON-OWNED AUTO

Liability for vehicles rented or driven by crew on production business — including picture cars, production vans, transport trucks, and personal vehicles used for production.

PICTURE CARCREW DRIVERS
08 / SPECIALTY

STUNTS, PYRO & WEAPONS

Underwritten separately based on stunt coordinator credentials, weapons handler licensing, scene complexity, and pyrotechnician certifications.

HARD-TO-PLACESPECIALTY
09 / AERIAL

DRONE & AERIAL

FAA Part 107 commercial drone hull and liability, helicopter aerial cinematography, and fixed-wing camera platforms — written per shoot or annually.

PART 107HULL + LIABILITY
10 / RECOVERY

EXTRA EXPENSE / SHUTDOWN

Costs to keep the production running after a covered loss — reshoots, location changes, equipment replacement, and crew overtime to stay on schedule.

DELAYCONTINUATION
11 / MEDIA

NEGATIVE & FAULTY STOCK

Coverage for damaged or lost recorded media, faulty stock, and post-production loss before delivery — from raw footage to final master.

RAWMASTER
12 / TOWER

UMBRELLA / EXCESS

Excess limits over the production package and auto policies — required when distributors, locations, studios, or financiers demand $5M, $10M, or $20M+ towers.

$5M – $20M+CONTRACTUAL
BY BUDGET TIER

FROM $50K MICRO-BUDGETS TO $20M+ STUDIO FEATURES

We write across the full budget spectrum. Each tier has its own carrier appetite, premium structure, and required coverage stack.

TIER 01

MICRO BUDGET

UNDER $100K

Self-funded, crowdfunded, and proof-of-concept productions.

EXPLORE →
TIER 02

INDIE FEATURE

$100K – $500K

Grant-funded and crowdfunded indie features with full crew.

EXPLORE →
TIER 03

LOW BUDGET

$500K – $1M

SAG Mod Low and Low Budget Project signatory features.

EXPLORE →
TIER 04

MID-BUDGET

$1M – $5M

Independent features with name talent and theatrical/streamer aim.

EXPLORE →
TIER 05

STUDIO TIER

$5M – $20M+

Full studio-grade programs with completion bonds and excess towers.

EXPLORE →
THE FILM INSURANCE LIBRARY

EVERY SPECIALTY PAGE IN THE CLUSTER

Dedicated coverage pages organized by budget, persona, project type, specialty risk, compliance line, and urgency. Each one drills into the underwriting, pricing, and carrier appetite for that exposure.

BUDGET

LOW BUDGET FILM INSURANCE

Coverage for micro-budget, indie, and SAG Ultra Low / Mod Low / Low Budget Project signatory features.

EXPLORE COVERAGE
PRICING

FILM PRODUCTION INSURANCE COST

Premiums by budget tier, shoot length, risk class, and crew size — plus the underwriting factors that move pricing.

SEE PRICING
PERSONA

INDEPENDENT FILM PRODUCER INSURANCE

Producer liability, professional indemnity, and personal asset protection for indie and first-time producers.

PRODUCER COVERAGE
SUBGENRE

DOCUMENTARY FILM PRODUCTION INSURANCE

Documentary-specific risks — fair use, archival footage, subject releases, defamation, and streamer delivery requirements.

DOCUMENTARY COVERAGE
PROJECT TYPE

SHORT FILM INSURANCE COVERAGE

Short-form, festival, thesis, and student film coverage — including one-day, weekend, and proof-of-concept policies.

SHORT FILM COVERAGE
OPERATIONAL

FILM EQUIPMENT INSURANCE

Cameras, lenses, lighting, grip, and audio gear — owned or rented, in-transit, and at the rental house.

EQUIPMENT COVERAGE
SPECIALTY RISK

STUNT & PYROTECHNICS FILM INSURANCE

High fall stunts, car chases, fight scenes, fire effects, weapons, and pyro — placed where most brokers decline.

STUNT COVERAGE
SPECIALTY RISK

DRONE & AERIAL FILMING INSURANCE

FAA Part 107 commercial drone hull and liability, helicopter aerial work, and fixed-wing camera platforms.

AERIAL COVERAGE
COMPLIANCE

FILM PRODUCTION WORKERS COMP

Statutory workers comp for film cast and crew — including SAG, multi-state, and short-term project coverage.

WORKERS COMP
URGENCY

SAME-DAY FILM CERTIFICATE

Need a COI for a permit or location agreement today? Same-day, rush-issue certificates of insurance for film production.

RUSH COI
FOUNDATIONAL

FILM PRODUCTION LIABILITY INSURANCE

The foundational liability coverage that protects against on-set injuries, property damage, and third-party claims.

LIABILITY COVERAGE
PACKAGE

DICE INSURANCE FOR FILM PRODUCTIONS

Annual Documentary, Industrial, Commercial, and Educational policies for working producers and production companies.

DICE COVERAGE
COMPLIANCE

FILM PRODUCTION INSURANCE REQUIREMENTS

Permits, locations, studios, distributors, financiers, and unions — every requirement and what it actually means.

REQUIREMENTS GUIDE
WHY PRODUCERS CALL KIG

A SPECIALTY BROKER FOR THE HARD-TO-PLACE PRODUCTION

FEATURE FILM INSURANCE BROKER
  • 1

    WE PLACE WHAT GENERALISTS DECLINE

    Stunts, pyro, weapons, drones, foreign locations, first-time producers, declined risks — we have the carrier appetite to bind them.

  • 2

    SAME-DAY CERTIFICATES OF INSURANCE

    When a permit or location agreement needs proof of coverage today, we issue rush COIs without waiting on standard underwriting timelines.

  • 3

    EVERY BUDGET TIER, EVERY GENRE

    $50K micro-budgets to $20M+ studio features. Documentaries, narratives, music videos, web series, commercials — we write the full spectrum.

  • 4

    DISTRIBUTION-READY E&O

    Errors and omissions placed to satisfy Netflix, Amazon, Hulu, Apple TV+, theatrical distributors, and broadcast network delivery requirements.

  • 5

    UNION & SIGNATORY READY

    SAG-AFTRA, DGA, IATSE, and Teamsters requirements handled — including additional insureds, waiver of subrogation, and primary/non-contributory.

  • 6

    NO TEMPLATE QUOTES

    Every program is built around the script, schedule, locations, crew, and risk profile — not pulled from a generic spreadsheet.

HOW IT WORKS

FROM INTAKE TO BOUND POLICY

A clear, four-step path from first call to certificate. Most low-and-medium-complexity productions move through the full process in 24–72 hours.

01

SUBMIT INTAKE

Complete the short-term film production intake form or call us with the script, schedule, and budget breakdown.

02

UNDERWRITE

We market the risk to specialty production carriers, identify the best fit, and negotiate terms on your behalf.

03

QUOTE & BIND

You review the quote, we walk through the structure, you bind, and the policy is in force on your effective date.

04

CERTIFICATES

Same-day COIs to locations, equipment houses, financiers, and signatory unions — including additional insureds.

FEATURE FILM INSURANCE FAQ

THE QUESTIONS EVERY PRODUCER ASKS

WHAT IS FEATURE FILM INSURANCE?
Feature film insurance is a coordinated stack of specialty coverages built around the production of a motion picture — typically a production package policy plus supporting lines like workers compensation, hired/non-owned auto, errors and omissions, and excess liability. It’s structured very differently from event coverage or general business insurance because the exposures are different: cast under contract, rented six-figure equipment packages, third-party locations, complex crew arrangements, and post-production deliverables.
HOW MUCH DOES FEATURE FILM INSURANCE COST?
Premiums scale with budget, shoot length, risk profile, equipment values, and crew size. Micro-budget features may pay carrier minimum premiums in the low four figures, while $5M+ studio-tier features can pay tens of thousands or more for a full program with excess limits. See the full film production insurance cost breakdown for tier-by-tier detail.
WHAT INSURANCE DOES A FEATURE FILM ACTUALLY NEED?
At minimum: a production package policy (or general liability + equipment), workers compensation, and hired/non-owned auto. Distribution-bound features also need errors and omissions. High-risk productions add stunt/pyro/weapons coverage, drone, and excess liability. Our film insurance requirements page walks through every common compliance trigger.
CAN YOU GET FILM INSURANCE THE SAME DAY?
Often yes — particularly for low-to-moderate-complexity productions with standard risks. Same-day certificates are routine when the underlying policy is bound and the additional insured language is straightforward. See our same-day certificate page for the rapid-issue process.
WHAT’S THE DIFFERENCE BETWEEN A DICE POLICY AND A FEATURE FILM POLICY?
A DICE policy is annual and covers Documentary, Industrial, Commercial, and Educational projects across the policy period — ideal for working production companies running multiple projects per year. A feature film policy is project-specific and tailored to the schedule, locations, and risks of one production. Most narrative features need a project-specific policy.
DO I NEED ERRORS & OMISSIONS COVERAGE?
If you’re heading to distribution — yes, almost always. Streamers, theatrical distributors, broadcast networks, and most sales agents require E&O before they’ll accept delivery. The film E&O page covers what’s required, and our film E&O FAQ answers the most common producer questions.
DOES FILM INSURANCE COVER STUNTS, PYRO, OR WEAPONS?
It can — but those exposures are underwritten separately and require carrier approval based on stunt coordinator credentials, weapons handler licensing, pyrotechnician certifications, and detailed scene breakdowns. We place this every week. The stunt and pyrotechnics page covers what underwriters need.
WHAT IS A COMPLETION BOND AND DO I NEED ONE?
A completion bond is not insurance — it’s a guarantee from a bond company that a film will be completed and delivered on schedule and on budget, or the bond company steps in financially. Bonds are typically required by financiers and bank lenders on mid-budget and studio-tier features ($3M+). Completion bond providers usually require a full insurance program in place before they’ll bond a project.
DO STREAMERS LIKE NETFLIX, AMAZON, AND APPLE TV+ HAVE SPECIFIC INSURANCE REQUIREMENTS?
Yes. Each platform has its own delivery requirements — typically including specific E&O limits ($1M/$3M is common, with some platforms requiring $5M), specific endorsements, and named coverage extensions. Requirements change, so we work directly with delivery checklists when placing E&O for distribution-bound productions.

YOUR PRODUCTION DOESN’T WAIT. NEITHER DO WE.

From a $50K weekend shoot to a $20M studio feature with stunts and pyro, we structure feature film insurance programs that actually fit the work. Submit the short-term film production intake form and we’ll move on your quote today.